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c. 1445 – May 17, 1510. Italian painter.

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Hendrik Cornelisz. Vroom
Delft as seen from the west

ID: 98392

Hendrik Cornelisz. Vroom Delft as seen from the west
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Hendrik Cornelisz. Vroom Delft as seen from the west


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Hendrik Cornelisz. Vroom

painted Ausfahrt der Ostindiensegler in c. 1630-1640   Related Paintings of Hendrik Cornelisz. Vroom :. | A Dutch Ship and Fishing Boat in a Fresh Breeze | The Mauritius and other East Indiamen | Delft as seen from the west | Ships trading in the East. | Battle of Haarlemmermeer, 26 May 1573 |
Related Artists:
Nicolaus Knupfer
1603-1655 German Nicolaus Knupfer Gallery
Joseph Bidauld
Carpentras(Vaucluse)1758-Montmorency (Val d'Oise)1846 French painter. He was apprenticed in Lyon for six years with his brother Jean-Pierre-Xavier Bidauld (1745-1813), a landscape and still-life painter. Subsequently, they left Lyon to travel together in Switzerland and Provence. In 1783 he moved to Paris, where he met Joseph Vernet (from whom he received valuable advice), Joseph-Siffred Duplessis and Jean-Honor? Fragonard. In 1785 he went to Rome with the assistance of Cardinal de Bernis and his patron, the dealer and perfumer Dulac. He stayed there for five years, travelling through Tuscany, Umbria and Campania and painting such works as Roman Landscape (1788; Basle, Kstmus.). Bidauld was closely involved with the circle of French Neo-classical painters in Rome in the 1780s. He was friendly with Louis Gauffier, Nicolas-Antoine Taunay and especially with Guillaume Lethiere, who became his brother-in-law and with whom he occasionally collaborated. On his return to Paris in 1790 he travelled extensively in France,
jean Huber
Swiss Painter (b. 1721, Geneve, d. 1786, Bellevue) , Geneva1721-1786 Geneva1721-1786,Silhouettist, painter, draughtsman and printmaker. His paternal ancestors were patrician Genevese merchant bankers. As a young man he soldiered at Kassel in Germany and in Italy, where he fought for Savoy in the War of the Austrian Succession (1740-48). In 1752 he was elected to Geneva's Council of Two Hundred and served his native city as a magistrate. He had no formal artistic training, but from his youth he clipped out of paper or cards freehand profiles of a kind that later came to be called silhouettes.






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